Jess Glynne is a Grammy Award winning singer-songwriter, who exploded onto the scene last year with two UK No1. singles, ‘Rather Be‘ with Clean Bandit and ‘My Love’ with Route 94. One year later Jess has sold over 10 million singles worldwide, and her debut album ‘I Cry When I Laugh’ entered the UK album charts at No1, certifying platinum.
Jess effortlessly combines “hip-hop with a soul voice and a sprinkling of pop” to create one of the most original and dynamic new voices in contemporary music.
Who knew a trip to Pizza Express could inform a young teenagers life so greatly? One evening in 2003, Jess Glynne’s parents returned home from a night in Soho with a signed CD by a new singer they had seen performing at the restaurant’s regular Jazz night. “It had such a profoundly immediate effect on me,” remembers Jess of her parents playing Amy Winehouse’s debut album, ‘Frank’. “I’d always loved the big pop vocals of Mariah, Beyoncé and Whitney, but hearing a woman’s voice that was basically a jazz vocal, so full of individuality? Then realising she was British and still a teenager? That was the moment I knew I wanted to be as singer too.”
Glynne is a woman in possession of a rather fantastically distinctive vocal herself. You’ve already heard the 24 year-old’s richly evocative voice on Clean Bandit’s No.1 classical-dance smash ‘Rather Be’, which is the highest selling January No.1 since 1996. The track very nearly didn’t happen though. “I’ve never sung on a song that I haven’t written myself, so initially I wasn’t at all sure about doing it,” Jess admits. “But then I met the band and we went to the studio and had such a great time recording it. I absolutely love the song and I’m so happy to have been a part of it.” She went on to feature on Route 94’s incredible no. 1 hit ‘My Love’ not long after. Not a bad way to start the year…
Now it’s time for Jess to introduce her own sound, a distinguished mix of “Hip Hop with a soul voice and a sprinkling of pop.” Hip-Pop-Soul perhaps? She laughs. “I’m really influenced by people like Eminem and Kendrick Lamar, but then I also love singers like Frank Ocean, Jasmine Sullivan and Anthony Hamilton.” Jess also identifies ‘Aretha Franklin’s tone, Etta James’s soul, Eva Cassidy’s character and the songwriting of Lauryn Hill’ as having been heavily influential on her, both as singer and songwriter. “Hearing Lauryn’s ‘Superstar’ had a big effect on me because it made me realise you could write about subjects other than love and people could still hugely relate to what you were saying.”
Despite discovering that she could sing at an early age, Jess was initially put off performing by her school, who weren’t particularly supportive of her ambitions to be a singer. Often overlooked during performances, her confidence took a bit of a knock and so after her GCSEs, she decided to go travelling for a few months. When she came home from exploring South America, Asia and Australia, Jess decided to go for it. “I paid someone to make me a four-track demo and from there I just went and met as many producers and writers as I could. I did a year of songwriting sessions with everyone under the sun but I felt like I was going round in circles because I didn’t have one person to develop my own sound with.”
It was while doing an Artist Development course at East London’s British Academy of New Music that Glynne would meet someone that would eventually become one of her closest musical mentors. Bless Beats was known for his work within the grime scene, producing tracks including Wiley’s ‘Wearing My Rolex’ and Roll Deep’s ‘Night Life’. The pair began working together and it was through Bless that Jess would eventually secure management and, ultimately, a deal with Atlantic Records. “I was signed on the basis of my own music rather than because I featured on someone’s song,” she points out. “The Clean Bandit single came about after I was signed, so I know that I have a label who is confident in my own musical vision. I’m so grateful for the platform ‘Rather Be’ has given me, but now I’m looking forward to being known as an artist in my own right.”
As well as Bless Beats, Jess has worked with Rudimental and MNEK, but on their music rather than her own. She has also been in LA working with Switch (M.I.A., Beyoncé), the one-time other half of Major Lazer. Between them, the two have been creating Jess’s signature sound, as well as submitting songs for a number of artists, including Tinie Tempah, Little Mix, Rita Ora and Beyoncé. Jess is also working with Felix Snow (SZA Gyptian), the third, and potentially final, part of her musical trilogy. “I like that I’m not working with hundreds of people or working with the same names that everyone else works with. Ideally I’d like to just work with those three people because I feel we’ve got a great thing going. I’m open to working with other people of course,” she adds, “but so far I feel like the four of us have created something really cohesive that is different to what anyone else is doing.”
Jess’s debut album will be out later this year, however she’s already off to a flying start; her debut single, ‘Right Here’, went straight in at number 6 in the UK Singles Chart upon its release recently. “I know that I’m one of a number of British girls to release this year,” says Jess. “But I’m confident in who I am. What makes me different is my experiences, my personality, my songwriting. I’ve had different life experiences, like we all have, and all of that makes me who I am – me.”